Director: Adam Wingard
Producers: Jess Calder, Keith Calder, Roy Lee, Steven Schneider
Writer: Simon Barrett
Stars: James Allen McCune, Callie Hernandez, Brandon Scott
BLAIR WITCH (2016)
Dark: the nonnegotiable dark that can only be found in the depths of the wilderness dominates BLAIR WITCH (2016). This much-anticipated sequel—and remake—slowly unveils what we most fear: that which we cannot see, the tangible unknowable that lurks beneath a particular velvety night.
BLAIR WITCH is—and should be—viewed as a direct follow-up to 1999’s THE BLAIR WITCH PROJECT, as no self-respecting fan acknowledges the first film’s unfortunate follow-up, BOOK OF SHADOWS: BLAIR WITCH 2 (2000) as any relation to the smashing first installment. In contrast, BLAIR WITCH will more than satisfy fans of THE BLAIR WITCH PROJECT, echoing all of the Gothic eeriness of the first film, while peppering in new scares sure to thrill a current audience.
When a YouTube video surfaces, depicting previously unseen footage of the night of the Burkittsville disappearances, James Donahue’s (James Allen McCune) interest is piqued. He has a special interest in the case: Heather Donahue, the documentary filmmaker who disappeared in Burkittsville, is his sister. Over the years, he has kept a keen eye out for new evidence, hoping to recover her from the depths of the forest where she vanished—and in the video, he sees a blurred woman’s face. Enlisting the help of his friend Lisa (Callie Hernandez), who is eager to record their investigation as her own documentary film project—a girl after Heather’s own heart!—and friends Peter (Brandon Scott) and Ashley (Corbin Reid), he sets out to Burkittsville in hopes of solving the mystery once and for all.
Peter (Brandon Scott) and James (James Allen McCune) help Ashley (Corbin Reid) across the creek by Coffin Rock. (Recognize it?) (Image courtesy of IMDb and Chris Helcermanas-Benge.)
Director: Karyn Kusama
Producers: Martha Griffin, Phil Hay, Matt Manfredi, Nick Spicer
Writers: Phil Hay, Matt Manfredi
Stars: Logan Marshall-Green, Tammy Blanchard, Michiel Huisman
THE INVITATION (2015)
Director Karyn Kusama is a force of nature cinema; in 2000, she swept film festivals—awarded at Sundance, Cannes, Deauville, Ghent International, Gotham, and Sitges—with GIRLFIGHT, the groundbreaking tale of a young girl blazing trails as a boxer and, in 2009, JENNIFER’S BODY rocked the worlds of horror fans and lesbians alike. THE INVITATION (2015) is something of a departure—most apparently, the empowered and deeply complex female protagonist typical of Kusama’s films is absent. Perhaps this absence of transgression is what makes THE INVITATION comparably dull … Kusama’s latest film is somewhat lackluster.
Will (Logan Marshall-Green) has suffered tremendously in the recent past: after his son, Ty (Aiden Lovekamp), dies in a tragic accident, his wife, Eden (Tammy Blanchard), meets another man at a grief support group and promptly divorces him for her new lover. Given all that, it’s understandable that he is loath to accept an invitation from Eden to attend a dinner party—held at their old home, where she and her lover, David (Michiel Huisman)—now her husband—live. However, with some convincing from his girlfriend, Kira (Emayatzi Corinealdi), Will agrees to give Eden and David a chance. When he arrives, Eden’s and his mutual friends are all in attendance, making themselves at home in a strange situation. What only Will seems to intuit is how strange things will become—and how dangerous.
The attendees gather together, at David’s (Michiel Huisman) insistence, and watch a video on his laptop. (Image courtesy of Karyn Kusama, Bobby Shore.)